We are definitely back

I just wrapped what was certainly my busiest week of playing since the pandemic began. If my calculations are correct, I logged 4 gigs in a week which doesn’t sound that crazy until you factor in the 19 hours of rehearsal (actual number!) that these shows required.

On Monday, I had a morning rehearsal for Prospect Theater’s Tuesday night REIGNITE concert. Before the concert, we had a 5-hour tech rehearsal where we worked out the staging for 15 different songs, each featuring a different vocalist or vocal ensemble. It was my first time playing at Symphony Space in at least ten years! I thought the drums looked great on the stage!

On Monday and Thursday, I had rehearsals for the Selena project I’m in. We played a Dia de los Muertos party on Saturday night at what is normally a restaurant in Ditmas Park. It turned out to be a great place for a concert. We sold the place out! I didn’t take any pictures except for this blurry one with percussionist Neil Ochoa. That dude can play.

Before the Selena gig, I played a super fun Halloween gig with Brass Queens at the Zo Loft in Rockefeller Center. I thought one of the coolest parts was that I got to venture down to the loading dock that services all of RocCen to load in my drums and park my car while I was at the event. It blew my mind that I entered the loading dock at 50th street and drove a block and a half underground to get to 1 RocCen. There’s a whole world down there! Brass Queens repurposed their custom Stella McCartney jumpsuits made for the Met Gala into “Brasstronaut” suits. I LOVED IT!

The final show of the week was Drew Gasparini’s show last night at “Broadway’s Living Room,” 54 Below. This has become the cabaret spot in NYC. The energy in that room is always electric and Drew really brought down the house. I last played with Drew in the Bahamas in February 2020 for a presentation of his coming-to-Broadway show, the Karate Kid.

The craziest part of the week, perhaps, was the rehearsal for Drew’s show, which was at Euphoria Studios, the place I was rehearing on 3/12/2020 when it became suddenly clear that the world was shutting down. On my way in I passed the Sweetgreen we ate lunch at that day and the matcha shop that we stopped at for a quick pick-me-up. Coincidentally, the bass player on Drew’s gig, Justin Goldner, was the MD for that rehearsal in March. It was all very surreal.

Again, I only took one photo last night and it was with Erica Rotstein, Drew’s manager and one of the producers from Hundred Days, who happens to be married to my lifelong friend Ian Kagey. It was great to get to catch up over a drink at the end of a very long week!

I think that’s it! Thanks for following along. Now it’s time to pack for Grinch tour which kicks off on Saturday!

Busy Weekend with Brass Queens

View from the stage in Cape May

View from the stage in Cape May

I had so much fun this weekend playing a run of shows with Brass Queens. We had an early hit at the Exit Zero Jazz Festival in Cape May, NJ on Saturday, so we spend the night in Wildwood Friday night. Though I’ve played out of town a few times over the pandemic, this was the first overnighter I’ve done since February 2020 and it was a blast to be “on the road,” even if it was for one night.

This was my first trip to Cape May and it was quaint and wonderful and the view from the drum kit (above) was spectacular! I spent a significant amount of our set watching the waves crash behind the audience.

Unfortunately, we didn’t get to stay for very long as we had to return to Brooklyn to play the launch of Witch Please, a new pumpkin beer by Dyke Brewing, at the Crown Inn. I don’t usually go for pumpkin beers, but it was pretty tasty and I even bought a shirt! It was, as always, nice to play an event for the queer community.

This may surprise you, but every drummer loves free beer!

This may surprise you, but every drummer loves free beer!

On Sunday, we got to play yet another waterfront gig, this time at The Hudson in Inwood. Somehow I’ve never heard of this restaurant, but I will be back for dinner and drinks sometime. This was a 70th birthday party and everyone was down to get down! We even had jet skiers on the river pull up behind us to listen for awhile.

On the Hudson, at The Hudson

On the Hudson, at The Hudson

After that, my wife and I went to a belated Sukkot dinner at our friends’ apartment in Harlem. There’s no better way to round out the weekend than with good friends, good food, and good drinks! There may have also been a trip to the ice cream shop :-)

Sukkot Squad <3

Sukkot Squad <3

Governors Ball

IMG_3424.jpg

I had an amazing time playing all three days of Governors Ball this weekend with Brass Queens. If you aren’t familiar, Gov Ball is an annual advertising music festival held in NYC that usually attracts late-teens and twenty somethings. Thankfully, I didn’t feel as old as I prepared myself to feel, and even though I’m not 20, I have 20 years of festival-going experience under my belt, so let’s just say I’m quite the professional!

We had a blast playing and getting the crowd pumped up. The weather was perfect and it was nice to be at Citi Field and not have to worry about the Mets blowing it in the 9th! I got to catch a bunch of artists that I otherwise would never see. Highlights for me were Megan Thee Stallion, Portugal. The Man (one of very few straight-ahead bands at the fest), and Burna Boy. The definitive musical highlight was, BY FAR, Carly Rae Jepson playing “Call Me Maybe.” Damn, that song is pretty incredible and the crowd was going nuts!

Keep an eye out on the Brass Queen’s Instagram as I’m sure we will be sharing clips from the weekend. I hope we are invited back next year!

Operation Gig

At the Japanese House with Brass Queens

At the Japanese House with Brass Queens

I had the pleasure of playing not one but TWO events presented by Operation Gig over the weekend. If you aren’t familiar with the series, Operation Gig has been presenting crowd-funded outdoor gigs to help support working musicians through the Covid era. The concerts are hosted throughout porches in Ditmas Park, one of my absolute favorite neighborhoods in all of New York City.

Amor Prohibido pre-show. Yuka Tadano on bass and Rich Stein hiding back there on percussion.

Amor Prohibido pre-show. Yuka Tadano on bass and Rich Stein hiding back there on percussion.

Saturday’s concert featured the triumphant return of Amor Prohibido: The Must of Selena. I fall in love with her songbook the more I play it and it is truly a joy to play with each and everyone in that group! Sunday’s concert was with Brass Queens at the famed Japanese House and it was amazing to play with those ladies after being away in California for three weeks!

It felt really good to have back to back weekend gigs after a difficult year of lockdowns and cancellations. The Ditmas Park community came out strong both days and it was a delight to share both of these projects with everybody.

Me and some absolute legends who came out to Brass Queens: Jo Lampert, Kate Freer, Barrie Lobo-McLain, and Ada Westfall.

Me and some absolute legends who came out to Brass Queens: Jo Lampert, Kate Freer, Barrie Lobo-McLain, and Ada Westfall.

The Ballad of Cyclic Change

On Saturday, I played a Juneteenth concert at the Ballad of Cyclic Change, a multimedia collaborative art project with interactive sculptures by Kathy Creutzburg, Mirabai Kwan Yin, Jake Elkin and Aya Harota.

Mirabai is an old friend of mine: her husband Ric Becker was my very first NYC/Mannes friend. Shortly after meeting, we formed my first NYC band, Just Puppets! Ric played trombone and percussion alongside me, Jess Tsang (another Mannes alum), and Jake Elkin, in a contemporary program of Braxton, Rzewski, and more. We got out there, especially on one of Jake’s compositions for electronics and spoken word. It was a wonderful and weird way to spend a beautiful Saturday morning in one of Manhattan’s many community gardens.

More on the installation from the artists:
Inspired by the biogeochemical cycles and how they mirror cycles in human lives, we built acoustic kinetic sculptures from upcycled everyday materials and created musical compositions using the sculptures as instruments. By connecting human stories of transition to nature’s cycles we encourage people to feel connected to their planet.

It's All Happening!

log.jpg

Knock on wood, but things seem to be getting back to “normal” here in NYC. In fact, we were treated to a fireworks show last night to mark a huge milestone: 70% of our population has received at least one dose of the vaccination. Let’s keep it up, NY!

For the first time in 15 months, I decided to add some shows to my calendar! Saturday, I get to play an ART INSTALLATION! How cool is that? Ballad of Cyclic Change is a collaborative art project my friend Mirabai worked on. I’m not exactly sure what I’m playing on and how, but it’s going to be a really cool hour of musical exploration. Sunday, I am playing a rooftop concert right here in Brooklyn with Brass Queens, hosted by Kid Krill.

In addition to the shows, an educational piece I’ve been working on for nearly a year will be posted to Phish.net (yes, it’s combining my two favorite things: drumming + Phish) and a recording I did with the Quarantined Woodwind Ensemble is forthcoming as well, so stay tuned for those.

I will be spending the first three weeks of July visiting my wife’s family in California, so if you are in LA or the Bay Area, please hit me up for hangs, jams, shows, or lessons!

Thanks for reading and hit that subscribe button above to stay in the know. Peace!

Served Up Live

Last night I joined Brass Queens for a performance of Served Up held at Culture Lab LIC. It was the first time I’ve performed on an actual stage since March! It felt wonderful to play with a group of women for a group of women.

Drumming at Pride

View this post on Instagram

Reclaiming Pride 🏳️‍🌈

A post shared by Ashley Baier (@ay_bear) on

Happy Pride, ya’ll! While things around here have been unusual to say the least, it was nice to get out and do a little bit of celebrating, protesting, and drumming at yesterday’s “Reclaim Pride” event here in NYC. I played with a solid crew of drummers with Reverend Billy and the Stop Shopping Choir. It was a hot one and my hands were pure goo after playing street beats for three hours straight. Worth it!

That's a Wrap: City of Angels

I just finished a 4-show run of City of Angels with St. Bart’s Players, the longest running community theater in New York! The book is almost entirely swing so I wanted to use some of my “jazz” cymbals that don’t get a whole lot of use these days. Unfortunately, the gig was in a boomy church so I had to play extremely quietly and those dark, dry cymbals just don’t get enough rebound at soft dynamics, so I swapped them out for some old faithful As. I did, however, get to use my vintage Rogers snare which sounded particularly good for brushwork. It was great to play with my Grinch fam, Joe Graziosi, as well as MD Jon Audric Nelson.

Ring of Keys' 2nd Birthday @ Joe's Pub

I had a most excellent time playing with these ladies at the 2nd birthday for Ring of Keys at Joe’s Pub on Sunday night. Hearing Julianne Merrill on a grand piano was, frankly, mindblowing. And even though this was a cabaret, the bass was pumping and Meghan Rose was holding. it. down. Special thanks to Emily Erickson for all of her hard working prepping the music for us!